2017 Q3 music list

We're entering the final stages of our monumental Cardoso450 project, building up to the big finish on the Q4 music list. Our Cardoso focus allows us to explore another Palestrina/Cardoso pairing on Sunday 16th June - Veni sponsa Christi for our Patronal Feast of Our Lady of Mount Carmel. Another interesting pairing can be heard on 20th August with two settings of the story of a woman whose daughter is possessed by a devil (Matthew 15: 21-22). This list also has a strong English accent with music by Byrd, Mundy, Philips, Tallis and Tye, a foretaste of our forthcoming project in 2018/19 - more details soon. We're particularly excited to be able to perform Holst's 8-part Ave Maria for upper voices and two motets by Sweelinck whose sacred music is heard far too infrequently.

Cardoso & The Golden Age: Programme

Our concert marking the 450th anniversary of the birth of the Carmelite composer Frei Manuel Cardoso is now just a week away. 

To whittle down a project of nearly 200 performed works taken from the 300 or so catalogued has been a challenging task! While focusing on Cardoso, the programme sees the other major composers active at the time of Cardoso represented. It features some well-known works, including Cardoso Sitivit anima mea and Rebelo Panis angelicus, but for the most part continues the work of our Cardoso450 project in promoting works which are unknown. Some of the works have been or will be presented liturgically at the Carmelite Priory, but a choice few are extra and can only be heard at our concert.

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Kyrie-Christe-Christe-Kyrie

The Masses of Cardoso and his Portuguese contemporaries follow an interesting pattern in their Kyries, providing two distinct polyphonic settings of the Christe. This Kyrie–Christe–Christe–Kyrie sequence is only exceptionally found in the Spanish and Roman etc. schools, but was standard on the Iberian Peninsula in the 16th and early 17th centuries. What is the significance of this and how does it affect our approach to performance?

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